Jeff Duff’s Top 20 tubes Nov-Dec 2016

Posted on 18th December 2016
What were the most popular of Jeff Duff's youtubes and vimeos over the last month?
The Duff Rover has been at work again, collating these statistics, including the number of extra views-per-tube from November to December.
Here are links to the Top 20, in order of extra views (left-to-right, top-to-bottom) and then some stats:
Easy Street
MacArthur Park
Easy Street
Take a walk on the wildside
Panel show
Give me back me brain/Duff record
Stairway to Heaven
Studio 10 interview
Walk on the wildside
Sorrow
Tower of madness
Space Oddity
Easy Street
Starman
Walking on eggshells
Walk on the wildside
Fragile Spaceman (Keady)
Guillotine quickstep
Le Poseur
Walking in Memphis

Some interesting points about this Top 20:
  • Although Duff's performance in the '70s of Easy Street on the Paul Hogan Show is—with more than 64,000 views—far and away the most popular overall, the biggest increase across all Duff 'tubes was for his performance of Easy Street on Mornings with Kerrie-Anne (Channel 9, Australia); almost doubling in views (albeit from a much smaller base of about 400 at the start of November). There was also a 67% increase in views of the live performance of this song by Duff with The Grand Wazoo.
  • Most of these Top 20 vids were of Duff/Kush originals and/or single releases: not only performances of Easy Street, but also a couple versions of Walk on the wildside, and his MacArthur Park on the Ray Martin Midday Show. Each of these had more than 300 extra views over the past month.
  • Also popular were Duff's TV performances in the UK (on the Old Grey Whistle Test) and Germany of singles from his first solo album—Give me back my brain, and Tower of madness—as well as the title-tracks from his two most recent solo albums: Walking on eggshells and Fragile spaceman.
  • Performances by Duff of Bowie songs were not as popular as performances of his own songs. Only three performances of Bowie material made it into this Top 20.
  • Even looking at the next top 20, most of the videos were of Duff's own songs, Kush songs, or signature covers—but performances of Bowie songs generally had no more than two more views each from November to December. This is surprising given the run of Duff-Bowie shows of late: It seems that a lot of people get interested in seeing more Duff-does-Duff after seeing his Bowie shows than seeing more Duff-does-Bowie (albeit there are more Duff-does-Bowie tubes out there, and so the views for them are more dispersed).
  • Most of these vids also make up the all-time greatest number of views, led, as usual, by Easy Street on the Paul Hogan Show, followed by Stairway to Heaven on the ABC, the Take a walk on the wildside video, and MacArthur Park on the Midday Show; and then including, at #5, a live performance of Someone like you (Van Morrison cover). Total views across 237 Duff videos (including duplicates) was close to 360,000 at the start of December.
So: is a Jeff Duff originals-only show timely?
More Duff tubes here.
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– rodg.

Jeff Duff celebrates Bowie at Hope Estate Vines with Australian Symphony Orchestra

Posted on 17th October 2016

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Pre-show promo pic of Housden, Stace, Ellis, Balbi and Duff

Pre-show promo pic of Housden, Stace, Ellis, Balbi and Duff

Jeff Duff—together with Steve Balbi and Brydon Stace—performed 3 hours of David Bowie songs at the Hope Estate, Pokolbin this last Saturday (15 Oct 2016). While the Stones, Fleetwood Mac and the Eagles have played there before, this show surely topped the lot in having George Ellis conducting the Australian Symphony Orchestra as "back-up".

Set in New South Wales’ Hunter Valley wine region, it was a perfectly sunny, 360º cloud-free day, the show commencing at sun-down: circa 7:00 p.m., and not letting up by 10:30 p.m..

George Ellis is well-known for his conducting job at the opening of the Sydney Olympics in 2000, and also his work in musical education. He comes with some rock sensibility as well, having been part of Sydney’s 1980s post-punk band-scene (Weekend Australian, 2010.04.10-11). Sporting the Aladdin Sane make-up, he also took the audience’s breath away from the start when, on first turning to face the orchestra to raise his baton, the iconic lightening flash was seen to adorn the back of his coat. So he set the stage ablaze! But then—we drew our breaths again—: by opening with the Bowie/Eno instrumental Warszawa (see youtube), we were offered an evocative sample from Bowie’s oeuvre, one that recalled how Bowie himself opened his “white light” shows of the late ’70s. So the show commenced by emphasising the art of the MainMan ahead of the party. So true to Ellis’ word ahead of the show, as reported in the Newcastle Herald (2016.06.30):

 The Thin White Duke’s music lends itself beautifully to the array of colours of the orchestra. Rich textures and harmonies weave in and out of his songs, making them perfect to decorate. George Ellis

Balbi opened the first song-set with Ziggy Stardust. He also took over most of the glam-era numbers, including Diamond Dogs, Rock-n-Roll Suicide and Jean Genie; as well as a stomping, über-funky, pleasantly mad Fame, coaxing it out in mind-splitting saxophonic treats from Ross Middleton. With Quicksand, Balbi reached back to Bowie as pre-funk, pre-icon poet-philosopher; and together with Life on Mars, had the orchestra making a particularly prominent and powerful contribution. Balbi’s stagework was as stunningly idiosyncratic as usual; the whole ecstatic messiah treatment (as also at, e.g., the 2012 Ziggy Show).

Stace offered his Olympian energy and polished vocals (a siren here, a tornado there) to a wide array of songs, from Ashes to Ashes to The Man Who Sold the World (see youtube) to Sorrow. Also as professional and breath-taking were the dazzling array of dance-figures that kept popping out from his every joint. Quite the stadium performer, commanding every possible precipice and pedestal of the huge stage with his muscular Freddie Mercurial stances.

And Jeff Duff. Doing the more emotive songs … an artful Lazarus (as previously seen at the Enmore and the Basement bio launch), and Wild is the Wind (as also seen at the Sydney Opera House). So He took to the stage with cool, meditative strides in the manner of Bowie himself, as he approached the Glastonbury stage. Also on board for the baritone singing; Let’s Dance, China Girl … Also a recall of his touching eulogy for Bowie. Of course there were doses of his "naughty" patter and moves, but the bulk of his challenges to the audience were to honour the MainMan who the "ten thousand peopleoids" or such had come to party in the spirit of.

The trio emerged to give a combined effort on Five Years, "Heroes" and (for encore) Rebel Rebel and Suffragette City, while Duff and Stace did their usual combo for Under Pressure (as also seen at the Enmore Theatre and the Sydney Opera House, and so Duff and Balbi on Space Oddity (as seen on Channel 10 TV). Costume-changes for every song, too; Duff, say, in his golden outfit for Golden Years (see youtube), then in red with top-hat (just his style) for Space Oddity, his new space-helmet with white Pierrot suit for Starman, and so on.

Jak Housden doing Moonage Daydream with a top-level voice of Bowie and guitar of Mick Ronson—as at the legendary Santa Monica gig. Interesting to see Jess Ciampa in his orchestral home, and to see more of the band’s newcomer Christo (Station to Station).

Lighting was exceptional, too. Working with a ring of lights about the huge disc above the stage—always projecting a close-up of the singers in song, or a deft selection of Bowie pics—the stage could be lit at times like the centre of a supernova, or the halls of Lang’s Metropolis. Sound was booming but bright; bringing out the aural delights of the orchestral strings to emotional splendour, as in Quicksand, or simply striking out the rhythms in body blows through, say, Fame. All radiating out from the huge, towering stage, the effect was of a constant tidal-wave of multi-sensory provocation.

Stage management was also interesting to watch; emergencies portended and avoided, mics arighted, and so on, with ardent precision.

And so it ended as Duff prophesied ahead of the show in the Maitland Mercury (2016.09.28):

 It’s going to be challenging, this eclectic rock band with acoustic strings. [But] Bowie used a lot of orchestral arrangements, it suits David Bowie more than most artists. It will be really exciting. … It does sort of build up to this raging climax and we do end up rocking out at the end. Even the violins and cellos will be rocking out. Jeff Duff

Harpist and singer-songwriter Anna Morgana opened the event. Blends of Keyes, Hagen, P. Smith, Bush, maybe, but certainly, as someone behind me said, "she sounds like some Australian singer". That was also a discovery to keep making.

Good to see an Artist Merchandise stall. Duff’s autobiography for sale (it’s always tempting to get yet another one!), and the DVD of Colin Hay‘s Ziggy/Unzipped live show videos (see the TUBES database; I got mine, to add to the TRACKS database).

For PIX of the gig, see Tania Smith’s album here, and Russell Cherry’s album here.

See the Bowie Unzipped site for more Duff/Bowie gigs—including his January 2017 tour including NSW, Vic, SA and WA.

~ And a thank you to the Zepher bus-blokes for getting me there and back to Central, and even championing me with a round of applause for topping their Bowie quiz! Did I get an extra point for getting Iman’s surname right? Or was it just that I didn’t confuse The man who fell to earth with The man who sold the world? We’ll never know. Meat-eaters aside, it was an easy and a glorious trip. Ta for stoking the flames with your Bowie Quiz—and for keeping a seat at the back for me!

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– rodg.

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