Jeff Duff’s Top 20 tubes Nov-Dec 2016

Posted on 18th December 2016
What were the most popular of Jeff Duff's youtubes and vimeos over the last month?
The Duff Rover has been at work again, collating these statistics, including the number of extra views-per-tube from November to December.
Here are links to the Top 20, in order of extra views (left-to-right, top-to-bottom) and then some stats:
Easy Street
MacArthur Park
Easy Street
Take a walk on the wildside
Panel show
Give me back me brain/Duff record
Stairway to Heaven
Studio 10 interview
Walk on the wildside
Sorrow
Tower of madness
Space Oddity
Easy Street
Starman
Walking on eggshells
Walk on the wildside
Fragile Spaceman (Keady)
Guillotine quickstep
Le Poseur
Walking in Memphis

Some interesting points about this Top 20:
  • Although Duff's performance in the '70s of Easy Street on the Paul Hogan Show is—with more than 64,000 views—far and away the most popular overall, the biggest increase across all Duff 'tubes was for his performance of Easy Street on Mornings with Kerrie-Anne (Channel 9, Australia); almost doubling in views (albeit from a much smaller base of about 400 at the start of November). There was also a 67% increase in views of the live performance of this song by Duff with The Grand Wazoo.
  • Most of these Top 20 vids were of Duff/Kush originals and/or single releases: not only performances of Easy Street, but also a couple versions of Walk on the wildside, and his MacArthur Park on the Ray Martin Midday Show. Each of these had more than 300 extra views over the past month.
  • Also popular were Duff's TV performances in the UK (on the Old Grey Whistle Test) and Germany of singles from his first solo album—Give me back my brain, and Tower of madness—as well as the title-tracks from his two most recent solo albums: Walking on eggshells and Fragile spaceman.
  • Performances by Duff of Bowie songs were not as popular as performances of his own songs. Only three performances of Bowie material made it into this Top 20.
  • Even looking at the next top 20, most of the videos were of Duff's own songs, Kush songs, or signature covers—but performances of Bowie songs generally had no more than two more views each from November to December. This is surprising given the run of Duff-Bowie shows of late: It seems that a lot of people get interested in seeing more Duff-does-Duff after seeing his Bowie shows than seeing more Duff-does-Bowie (albeit there are more Duff-does-Bowie tubes out there, and so the views for them are more dispersed).
  • Most of these vids also make up the all-time greatest number of views, led, as usual, by Easy Street on the Paul Hogan Show, followed by Stairway to Heaven on the ABC, the Take a walk on the wildside video, and MacArthur Park on the Midday Show; and then including, at #5, a live performance of Someone like you (Van Morrison cover). Total views across 237 Duff videos (including duplicates) was close to 360,000 at the start of December.
So: is a Jeff Duff originals-only show timely?
More Duff tubes here.
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– rodg.

Jeff Duff and the Japanese sublime, singing Yutaka Ozaki

Posted on 1st August 2016

Was and is Yutaka Ozaki a James Dean and maybe even John Keats of song? All authentic and vulnerable, oceanic blue and alarmed like candle-light?

So Jeff Duff and Yutaka Ozaki must (if there is any law in the universe) connect.

Well—all this magic has happened, in our time, for experiencing and sharing.

No less surprising than everything else in Jeff Duff’s autobiography is the fact of his Japanese career—within which Duff has recorded Ozaki’s "I love you", with a Japanese audience in mind, laden with Australiana, as by kookaburra-harmonica.

Topmost is the art of hyperbole, stuff that Australia shares in spirit with Japan. So Jeff Duff delivers Ozaki with the height of his emotiveness, and perhaps with the highest note he’s put to record.

Also, fluttering out of Duff’s hands, the song gets a full-throated baritone airing.

The keynote, though, is sincerity—Duff sings this song out like it’s the best delight in the world, belling out its meaning like an angel meant it. So, for Duffromantics everywhere, here is Jeff Duff presenting Yutaka Ozaki :

[23 views as of posting]

Duff’s cover of Ozaki’s song is on the streamed album from Laneway Music: Elizabeth Bay, available on iTunes, for example, here.

Thank you to Sachiko W., Duffophile, for her associations and research re Yutaka Ozaki and Jappo-Duffo, without which this blogpost would not have been possible. She is a Noble Fellow of the Institute for Duffological Studies.

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– rodg.
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Vital Duff video from the vault

Posted on 24th January 2016

Fresh light of vid on long unseen Duff originals from his Lexicon and Bob the Birdman albums:

  • the dada-esque approach to Warholian themes in Sandy’s Drum:

  • and a stylish reflection on James Dean:

  • Duff’s invitation to "Come drown with me":


And there’s more …! VIZ: a contemporary version of Walk on the Wildside, and a more recent video of Duff’s Hide-and-seek, all re-released via Laneway Music.

See all Duff tubes from most recent to earliest, on youtube and vimeo, catalogued here. That’s all of about 190 tubes, or about 14 hours of viewing.

As of tonight, they’ve collectively had 270,102 views (as calculated by the Duff Rover). That’s over 60,000 down from late last year when the original Easy Street video (performed by Kush, live on the Paul Hogan Show) was pulled by youtube due to copyright issues (presumably related to a Paul Hogan retrospective on mainstream TV). Sadly, because this was by far the most viewed Jeff Duff video on youtube. But ~ an alternative copy of that vid still lurks on youtube …

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– rodg.

On the road to Duffo: Mullumbimby Music Festival 2014

Posted on 18th November 2014
Mullumbimby, that is

Mullumbimby, that is

The Duffo-pilgrimage of 2014 continues — now by way of a long road to the Mullumbimby Music Festival, courtesy of Antonionio at the wheel (I know how to spell his name, I just don’t know when to stop). Hope to document this travelling as it goes, and also to be so bold as to take post-worthy pics of the performances. The opening night has already sold out (but we’ll be there), and then there are afternoon gigs day-by-day (checking in). Potential plus! Duff is appearing in Kings Cross later on the same weekend, and then at the Rock Opera night at the State Theatre – from wearing flowers in his hair, to dodging king-hits, and then frocking up for something truly regal, all in a blink of days. Unless Antonionio is good for whipping, I don’t think we can follow Duffo all the way from Mullo back to Sydney so swiftly. But plenty of blinding spells to be reported soon enough and nevertheless, via this channel of Duffophilia.


So Jeff Duff played the Civic Hall on its opening nite (Thurs, Nov 20), on a fly-in. A German lady I met, Duffo-dumb till then, thought he was on cookies! But she also said he struck her as like broaching the line between genius and madness, in league with “David Bowie” and “Kate Bush”. Well, I rose up to the challenge of discussing this stuff, slipped verbally up and down here and there … and that’s enough of that night.

Then there was the Poinciana Café the following night (Fri, Nov 21). I didn’t exactly shadow Duffo but kept somehow in his wake as he, pre-performance, ordered a vego meal. I was, as a matter of fact, on the look-out for the same. That’s how I’d just excused myself, for hunger’s sake, from the German lady of the previous night, who was there again at this gig. But, all feeding and gabbing aside, Duff was soon up on stage—only to be attacked by Xmas beetles from all sides. Glenn Rhodes (who had just improvised some legs for his keys, so prepared the venue was …) later remarked that they performed like a punk band that whole night long, as they batted away this plague. It was a distressing debacle. My meal arrived with a beetle upon it. Mullumbimby pavements were absolutely caked with Xmas beetle. Vegans filled the nut-house. Duff and Rhodes championed on.

The highlight was the St. Martin’s Hall gig the next day (Sat, Nov 22). There the masses fully thronged the pulpits. And Duff and Rhodes reached deep down into their whole armamentarium of sound to deliver potent renditions of “Yesterday,” “Walking in Memphis,” “My baby just cares for me,” among others, including a swag of Bowie, in the hour. Rhodes played with mesmeric power throughout, surprising with his every harmonic choice, and his basic legerdemain. He’s truly the pianist to Duff as Mike Garson is to Bowie. As he explained later, his wonderful arrangement of “Walk on the wildside” works by him taking the minor chords to each of the major chords in Duff’s vocal lines. It makes for a bold and novel, arousing working of the song. How the crowds flocked to Duff and Rhodes after this performance, after they marvelled in applause to each and every song.

Here’s a tube, courtesy of Anthony, featuring Duff on concentrated, sublime vocals, and Rhodes in bar-by-bar wonders referencing just about every jazz style—absolute mainmen of keys and cords (folds of membranous tissue which project inwards from the sides of the larynx to form a slit across the glottis in the throat, and whose edges vibrate in the airstream to produce the voice):

See also their performance of Walking in Memphis at the same gig.

Some notes from another punter about the St Martin’s gig are here.

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– rodg.
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Duffo, Ono, Leo and Frack: One of these things doesn’t belong …

Posted on 1st February 2014

DFNYWhat do Duffo, Ono and Leo have in common — apart from what they obviously share with Eno and Bono?

Each being legendary? Sure, but here’s Yoko Ono with a hint of more; about what’s ruining New York. And here’s Jeff Duff and Leo Sayer (among other legends) with an Aussie punch about it all – as Leo Sayer channels Bon Scott:

Testy, eh? (Also on vimeo here.)

This vid summons the Lock the Gate campaign: “a national coalition of community groups from across Australia who are uniting to protect our common heritage – our land, water and future – from reckless coal and gas expansions” – i.e., fracking (or “CSG” to be polite, and dumb.)

FACT CHECK: [from New Scientist, 10 Aug 2013:]

… Studies are suggesting fracking [pumping water at high pressure into shale beds to release trapped gas] could accelerate climate change, rather than slow it. … benefit is illusory. … [A] recent study [showed] that substituting gas for coal increases rather than decreases the rate of warming for many decades. … [S]witching from coal to gas could only bring benefits this century if leakage rates get below 2%. If rates are at 10% – the top end of the current US estimates – the gas would deliver extra warming until the mid-22nd century.
A recent review by the UN Environment Programme agreed that emissions from fracking and other unconventional sources of natural gas could boost warming initially, and would be comparable to coal over a 100-year timescale. [p.6]
[T]he worry is that, seduced by a false promise of cheap, plentiful energy from shale gas, we will cut back on investment in truly green, renewable alternatives. If so, as the costs and emissions associated with shale gas rise in the future, as they inevitably will, we will end up on a costly bridge to nowhere. [p.36]

+ Then it’s not just about climate change, as Yoko Ono explains here.

+ For another Duffo-Ono connection, try listening to Mindtrain on Yoko Ono’s Fly album of 1971 without trains of Duff-Duff going through your mind.

We’re all such prescient beings, c’mon.

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– rodg.
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