Maestro Duffo seeks Italian romance

Posted on 31st March 2017
Interview with Jeff Duff (Duffo) in a 1979 Italian pop-culture magazine "Dolly" … wonky translation by Google:
A.A.A. espansivo cerca amoreA. A. A. expansive seeks love
Il cantante australiano si dichiara asessuale e confessa di non essersi mai innamorato. Ma ora sogna di trovare in Italia una ragazza che lo converta.He declares himself asexual and confesses to never having fallen in love. But now he dreams of finding in Italy a girl who converts him.
Si chiama semplicemente Duffo: lo chiamano tuttu cosi da quando era piccolo, ma il vero nome e He is is simply called Duffo: everyone calls him so since he was little, but his real name is George [sic] Duff.
Tanto per cominciare, perché non ti presenti?To begin with why do not you show up?
«D'accordo. Mi chiamo Duffo, sono nato in Australia, dove ho vissuto fino a tre anni fa. Poi mi sono trasferito in Inghilterra per ragioni di lavoro. Ho una casa a Londra e ... ma sei sicura che non sono famoso in Italia?!» “Okay. Duffo my name, I was born in Australia, where I lived until three years ago. Then I moved to England for work. I have a house in London and ... but are you sure you are not famous in Italy ?!”
Abbi pazienza! Come mai, visto che hai gia un ricco passato musicale alle spalle, hai pensato all'Italia solo adesso? Be patient! Why, since you have already a rich musical past behind, you thought of Italy only now?
«Vedi, in Australia non si parla molto dell'Italia, specialmente musicalmente, cosi non sapevo che possibilita avrei avuto qui. Figurati che dell'Italia conoscevo soltanto la pizza, gli spaghetti e Sofia Loren!», conclude, ridendo con allegria contagiosa. “See, in Australia you do not speak a lot of Italy, especially musically, so I did not know that I would have had opportunity here. Imagine that Italy knew only the pizza, spaghetti and Sofia Loren!”, he concludes, laughing with contagious joy.
Che ti e sembrato dell'Italia? What did you think of Italy?
«E incantevole, giuro! Me ne sono letteralmente innamorato. Le citta sono stupende, le chiese suggestive, si mangia molto bene e le ragazze sono meravigliose! Sai, sono rimasto molto colpito dalla simpatia degli italiani. Per uno che vive a Londra in mezzo a tanti "musoni" che sorridono poco, e bello essere contagiato dalla carica di entusiasmo degli italiani. Quasi quasi mi trasferisco!» “It's lovely, I swear! I literally fell in love. The cities are beautiful, evocative churches, we eat very well and the girls are wonderful! You know, I was very impressed by the friendliness of the Italians. For one who lives in London among many "bonneted" smiling a little, it's great to be plagued by the office of the Italian enthusiasm. I almost I move!”
Che ti sembra della musica italiana? What do you think of Italian music?
«Ciò che ho sentito mi è piaciuto, anche se nessuno mi ha entusiasmato come Rettore: la trovo straordinaria, bravissima e molto "personaggio". Comunque ora conto di interessarmi molto di più alla musica italiana, di conoscerla un po' meglio perché ne vale la pena!» “What I heard I liked, although no one has impressed me as Rettore: I find it extraordinary, talented and very "character". However now account interest me much more to Italian music, to know her a little better because it's worth it!”
Torniamo a te e a "Take a walk on the wild side". Perche proprio questo pezzo?Let's go back to you and to "Take a walk on the wild side". Why just this piece?
«È un brano intramontabile, cosi ho pensato di riproporlo in una versione nuova: infatti quella di Lou Reed era più acustica, la mia versione è più elettronica.»“It is a timeless song, so I decided to propose it again in a new version: in fact that of Lou Reed was more acoustic, my version is more electronic.”
Ti fermerai molto qui in Italia?Are you staying a lot in Italy?
«No, non molto, purtroppo. Ora sto curando la promozione del 45 giri e del nuovo LP di prossima uscita in Italia. Parteciperò anche a diversi programmi radiofonici e televisivi. »“No, not much, unfortunately. Now I'm taking care of the promotion of the 45s and the new LP forthcoming in Italy. Also to participate in various radio and television programs.”
Senti, visto che di te si conosce solo la tua versione di "Take a walk on the wilde side", puoi spiegare qual è il tuo genere musicale?Look, since you only know your version of "Take a walk on the wilde side", can you explain what is your kind of music?
«Ah, allora provochi! Guarda che io non copio nessuno! Ho un mio genere musicale, personale; e chi ascolterà il mio LP vedrà che la mia musica è una specfie di rock and roll classifico, con un po; di new wave.»“Ah, then I try! Look, I do not copy anyone! I have my kind of music, personal; and who will listen to my LP you will see that my music is a kind of classic rock and roll, with a little new wave.”
Chi sono i musicisti che lavorano con te?Who are the musicians who work with you?
«Sono tutti ottimi: mi avvalgo della sezione fiati di Paul McCartney, del percussionista della David Essex Band e altri.»“All are excellent: I make use of Paul McCartney's brass section, the percussionist from the David Essex Band and others.”
E tu che tipo sei?And what are you?
«Espansivo, se non lo avessi ancora capito! Cerco di guardare la vita con tanto ottimismo, adoro la compagnia, il buon vino, la gente allegra e la buona musica: non basta?»“Expansive, if you have not already got it! I try to look at life with so much optimism, I love the company, good wine, happy people and good music: is not enough?”
Credi nel successo?Do you believe in success?
«Per quanto riguarda l'Italia, sono sicuro che avrò successo molto presto; quanto al resto del mondo … sono già celebre!!! Il fatto di essere nati in Australia ha portato fortuna ai Bee Gees, a Olivia Newton-John e a molto altri. Sicuramente porterà fortuna anche a me.»“As for Italy, I am sure that I will very soon successful; As for the rest of the world ... I have already celebrated. The fact of being born in Australia has brought luck to the Bee Gees, Olivia Newton-John and a lot of other. Surely bring luck to me.”
Scusa l'indiscrezione, Duffo, ma sei sposato?
A questo punto il nostro simpatico amico sgrana gli occhi e assume un'espressione inorridita.
Excuse the indiscretion, Duffo, but are you married?
At this point our nice friend's eyes widen and he assumes a horrified expression.
«No, per carità, proprio no! Vedi, io non ho mai avuto la ragazza in vita mia …»“No, please, no! See, I have never had a girl in my life.”
Significa che ti interessano gli uomini?It means that you interassano men?
“Ma no, sei matta? È solo che sono asessuale, non ho alcun interesse per il sesso, capito?” “But no, are you crazy? It's just being one who is asexual, I have no interest in sex, you know?”
Questa e proprio nuova! In mezzo a gay e bisex ci mancava proprio uno a cui non interessa minimamente il sesso! Scusa ma possibile che tu non ti sia mai innamorato? This is something quite new! In the midst of gay and bisexual we lacked just one who does not in the least interested in sex! Excuse me, but can you not you ever fallen in love?
“Mai, ti assicuro! O forse sì, una volta sola: della mia mamma! Però non smetto di sperare, anzi ho deciso: cerco una bella ragazza italiana che mi aiuti a cambiare idea. Scrivilo, anzi: cerco una bella italiana che me converta!” “Never, I assure you! Or maybe, just once: my mom! But I do not stop hope, indeed I decided: I want a nice Italian girl to help me change my mind. Write it, indeed: I want a nice Italian who converted me!”
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Political Duff Stuff

Posted on 1st July 2016

QUESTION: What has Jeff Duff in common with Alison MacCallum, the lead singer of this popular anthem of Australian politics?

MacCallum was a back-up vocalist on the 2nd Kush album (1975)
Both Jeff and Alison appear on the Big Time Operator: Big Bold Booming Voices Of The 60s & 70s compilation album (Sony Music, May 2016); see this blogpost
When Duff sang "So your daddy is a mushroom" on Bob the Birdman, he had MacCallum in mind
MacCallum is now a regular tennis partner of Jeff Duff


Now … can you spot Jeff Duff in more recent matters of political import in the following pics?

Incognito? Duff was strikingly pictured, in January 2016, as one of a league of local heroes fighting local council for the freedom to party in their own Elizabeth Bay Park. See the full story in the Daily Telegraph, with full-size, all-colour pic.

Jeff Duff defends local park for local people

Jeff Duff defends local park for local people




Jeff Duff was the star attraction at a euthanasia rights fund-raiser in April, 2016, with comedian Mikey Robins (also in the promo pic, below) as MC for the night. That was the Dancing with Dignity event, as previewed by altmedia.

Jeff Duff in Dancing with Dignity (promo pic)

Jeff Duff — Dancing with Dignity!!




Jeff Duff also appeared, in voice and visage, only a few years ago, as one of many luminaries of Australian music in Leo Sayer’s anti-CSG anthem "No fracking way". See this blogpost about it, and the vid on youtube here (or on vimeo here).

Jeff Duff in Leo Sayer's No Fracking Way

Jeff Duff in Leo Sayer’s No Fracking Way




And, to help meditating on recent efforts to create a status-based, two-tiered wage system in Australia for those who work on weekends, there’s also an anti-slavery song from Duff: namely, Twisted system, on Jon Lord’s (Deep Purple) Hoochie Coochie Men album, with Duff working hard on the vocals; available on iTunes here.

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Euro-Duffo: Clown Prince of Rock? The “naughty but nice” ZigZag Interview (UK, 1979)

Posted on 19th June 2016

1979.04_zigzag_pic_1Did Jeff Duff flee Australia in the late ’70s to find his natural home in punk UK? This is one thesis (see Glenn A. Baker on Duff); and corresponds, in part, to Duff’s own anticipations, as he marked off the days on his Sex Pistols calendar until he took flight; "Oh Lord, a one-way ticket out of here, please!" (TWEE, p. 95).

However, after landing on the Queen’s soil in 1978, some initial reactions to Duff from what remained of UK’s punk purists didn’t match these theses and enthusiasms. Gobbed off stage and beaten up by punk rock punters at his first Lyceum gig (where the Pistols played their first abortive gig, way back in ’75), Duff-off-the-bus, though armed with sterling phone-numbers to ring, still got throttled on the streets, in tow with the grubby UK arts-media: like finding himself pummelled by UK’s heavyweights of music broadcasting: by the infamously gay-shy Russell Harty (on ITV, quite nastily) and by the innocently regressive Anne Nightingale (on The Old Grey Whistle Test, tongue-in-cheekily). As for die-hard punk rockers still flailing on the streets, there was a particular article in their latter day street-pamphlets that sought to bust the head of this brazen outsider, in harmony with with Harty’s and Nightingale’s shocks. A particular article of the type was authored by punk-purist music journo Robin Banks—in the 10th anniversary issue of the music mag ZigZag.

While starting out as a hippie music mag, by 1979, ZigZag was a self-consciously low-brow champion of pure punk. Barely anyone other than the Sex Pistols and The Clash got a kind rap in this rag. Trying to copy at least the look of US punk mag Flashez, ZigZag‘s production values were poor, with cheap, ugly photography, and cramped, haphazard layout, while the text was often made up of a broken English word salad; an anti-literary complement to their anti-jewellery of rubber-bands and piercings. So, for example, in this issue in which "Duffo" was featured, a journo starts writing about Lene Lovich with the words "This gourds-churningly terrifying sshhuck! noise whistles malevolently close to Debbie Harry’s collatoral on a Saturday loan …". And only pure punk will do; the issue also proclaims that a new Roxy Music album "veers from ordinary and not noticeable to good-when-its-on", and Jonathan Richman is all a "fairyland of kiddie-romance and nursery rhyme nonsense". Banks himself writes of being left "breathless" when first listening to some Clash album, and to this day cites little more than his Pistols and Clash articles as meriting the historical record. Even readers chime in at this level; The Clash is said, in this issue’s Letters, to be "the best band in the land and have never recorded a duff record".

This did not bode well for Banks’ interview with Duff—with one of Duff’s songs on his first UK album even entitled Duff Record; check it out on iTunes or GooglePlay. True to form, and to the appetites of ZigZag readers, the article begins by promising a report about "something totally ridiculous" as a way "to enliven our tenth anniversary edition". Banks claims that he made a "lengthy search" for someone who seemed to "fit the bill". Then he tries to be too clever beyond his ken in describing his encounter with this "someone" as "an insight into what might concur [sic] if Dr [sic] Spock met the Flying Doctor … and crashed".

Jeff Duff parties with Bill Wyman

Jeff "Duffo" Duff parties with Bill Wyman

Duff is then introduced as a creature found somewhere in Chelsea, in a grove (actually, Edith Grove, home of Duff’s esteemed publicist, Tony Brainsby) once associated with the Rolling Stones (who Banks also doesn’t like, writing that the Stones have since left this place for "puke-ridden greener pastures") … (see the pic, left, for another Duffo-Stones association). Duff first appears to him in (or as) "a freak glimpse of a pointed-ear-bearing character sporting bad make-up and striking velvet cloak". As for his music, well, because it’s not pure punk—Duff mashes it up with rock-n-roll roots, even cabaret of the Calloway type, with touches of Music Hall and Gilbert & Sullivan—Banks writes that Duffo’s first album contains 12 tracks "at least seven of which are stone cold turkeys".

Is music criticism like this of any use at all? Its yardstick begins and ends with what the critic personally likes; what is good is only what speaks to the critic’s own bit of space and time, as if the world is what is filled up by your very own drop in the ocean. Isn’t this just a low, banal, barely pubertal level of aesthetic appreciation—the aesthetic equivalent of egoism as the arbiter of moral reasoning (Kohlberg), or of the senses as the sole informant of the intellect (Piaget)? Asking why the musician does what s/he does is surely the start of a more developed critical approach, at least getting towards 20th century wisdoms of aesthetic appreciation, with more to offer readers than self-promotion of personal likes and dislikes, beyond childish liking of art as a choice between candy and brussel sprouts for tea.

BTW, others reviewing this album have found in it associations with The Kinks, the Bonzo Dog Doo-Dah Band, The Tubes, "Bowie (in his guise as Anthony Newley)", and even Monty Python; Banks himself finds an association with early (but, of course, "sub-standard") Ian Dury. Also, these reviewers have pointed to the album’s "witty lyrics with a pronounced strine inflection" and that "Duffo sings well and invests the entire disc with a self-deprecating sense of absurdity". The album is available on iTunes, Google Play, etc..


Jeff Duff (Duffo) cover pic for Give Me Back Me Brain single Jeff Duff (Duffo) cover pic for Tower of Madness single



Duff did not himself, of course, claim pure punk "credibility" for this early period of his Euro career; and he soon explored and immersed himself in other Euro trends—with peer and punter respect in tow. For example, as reported some months after his return to Oz, after a decade away …
Duff in the press: 1987.05.03 sun-herald

Robin Banks does, however, eventually doff his mohawk to Duffo. Of the infamous Number 10 body-stocking stunt (see Chapter 5 of This will explain everything from Melbourne Books for more info), Banks offers a perceptive and sensitive appraisal …:

 I should say here and now that Duffo struck me as more of a victim of cheapskate publicity endeavours than a straightforward media manipulator himself, quite the opposite. He came over as a person running hard to present himself in the only way he knows how, and for that he gets ten out of ten for trying. If he doesn’t quite cut it, then at least he’s made the attempt, and that’s far more than most people do. Robin Banks

Banks then applauds Duff for the sense of humour he showed in giving the esteemed NME music journo Tony Parsons—now self-proclaimed "Tory scum"—an exploding cigarette. The story is that Duff, having been summoned to an interview with Parsons after getting some adulation for the original, self-titled Duffo album (Beggars Banquet, 1979), entered the journo’s Carnaby Street club as a blindman, with dark glasses and walking-stick, and gave Parsons a cigarette that, exploding on being lit up, swept Parsons toppling off his seat, left him helpless on his hind, much to the mirth of fellow journos in the club.

Duffo badge modelled by Golly

1979 Duffo badge, designed by Duffo, proudly modelled by Golly; photo by GG

Banks also notes how Duff has his fans—Duffo’s performance at The Venue was "well-attended and well-received", and "I have even seen people sporting Duffo badges (which he designed himself) so it’s obvious that some people do actually like the guy". (See the Duffo badge, above, as proudly worn by our house-model at the Institute for Duffological Studies and photographed by GG.) Banks even uses the term Duffophiles to describe these creatures—much to the surprise of this writer, who independently came up with the term.

Banks also usefully records some quotables of lingering note re Duff on himself. Faithful to the low-brow ethos of the mag, Banks writes that he could not audio-record the interview because his tape-recorder was in a pawn-shop. Still, he seems to have scribbled down or committed to memory some notable words verbatim. So Duff could well proclaim that he was breaking new ground: "I want to prove that somebody completely different can come out of Australia and make it. That you don’t have to be Olivia Newton-John or the Bee Gees." And, whatever the reaction, he would not be deterred—like a Dali, his art was his life, and it was sanctioned to its freedom with entertainment as his mission:

 I’m not just Duffo on stage or on record. Duffo’s whole life is a performance. But I do feel the need to sing and show what I can do. I don’t care if people laugh with me or at me, as long as they laugh. And I don’t mind being regarded as the Clown Prince of Rock ‘cos I guess I am. Jeff Duff

(Summing up something of the Oz industry attitude to Duff at the time of his flight, the moniker "Clown Prince of Rock" was actually how a DJ, back in Brisbane only some weeks before then, introduced Duff to an audience; "which I thought was quite fitting", Duff himself added—TWEE, p. 96. So did Duff’s initial UK reception, as in ZigZag, just reflect, magnify and/or focus on that aplomb? A happy, even natural, outcome, after all? See TWEE [Chapters 5 & 6] for more by Duff himself on Euro-Duffo—and how all this early controversy actually gave him "keys to the city.")

See the complete ZigZag article as a pdf here—with more Duff in the media here.

Clown Prince of Pre Post-Punk Rock? Duffo on German TV

Clown Prince of Pre Post-Punk Rock? Duffo on German TV

For more about Euro-Duffo, see this Duffo album launch-poster in NME, his write-up in the German music press, and his German Rock-Pop TV Show performance, the interim 1982 report back to Oz in the Australian Women’s Weekly, this poster of his performance at The Factory, the inclusion of his Give Me Brack Me Brain single on the New Wave Greats 1976–1983 UK compilation CD, among other stuff.

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“This will explain everything”: The Jeff Duff autobiography

Posted on 9th March 2016

jeff_duff_autobiography_cover_b_1The long-awaited Jeff Duff autobiography has been published — released in May 2016.

Crafted by Duff over many years, gloriously published by Melbourne Books, the work has a provocative promise as its title: “This will explain everything“, being a 248 page tome, hard cover printed on gold foil, beginning with a Foreword by Molly Meldrum. Here are some excerpts from Australia’s mainman of the popular music industry:

molly_meldrum_4

 Unique is an over-used word in showbiz. But Jeff Duff is unique. …

 Flamboyant, eccentric, cheeky, charming …

 Jeff Duff is one of the greatest entertainers Australia has producedMolly Meldrum

Order here from: melbournebooks.com.au.


Promo on Channel 7’s Daily Edition:

Promo on Channel 10

Excerpt of the ABC Radio National interview of Jeff Duff with Wendy Harmer ahead of the Sydney launch:


Interview with Duff re the book on RRR radio program The Australian Mood 26 May: on demand here or see the program page here.


Interview with Duff re the book on Maynard’s webcast here.


Performing Young Americans at the Basement (Sydney) launch of the book, Tues May 31:



Interview by Jeff Jenkins at the Flying Saucer Club (Melbourne) launch of the book, Sunday June 5:



Performing Easy Street at the Flying Saucer Club (Melbourne) launch of the book, Sunday June 5:



And listen to Lazarus from the same gig:

Pic of Duff at the Flying Saucer (Melbourne) launch of the book, Sun 5 June:

#JeffDuff at @flyingsaucerclubmusic yesterday…

A photo posted by Karen Freedman (@maccak) on

QUESTION: What was one of the earlier proposed titles for Duff’s autobiography (according to his blog of some years ago)?

The Naked Singer
The Disappearing Boy
I am a Genius
They said he was a fragile spaceman
Bashed, Banned but Unbewildered

More Duff quiz questions here.

FACT: It’s been a longtime coming. Already in 2004, the Sydney Morning Herald reported that Duff was "putting the finishing touches to an autobiography that will be published next year". See the SMH article here.

From the launch of This will explain everything at Better Read Than Dead 265 King Street Newtown, NSW · Sun 19 June 2:00 p.m.:

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Jeff Duff, in the light of the blackstar

Posted on 12th January 2016

… at sbs.com.au, the Daily Telegraph, the Sydney Morning Herald, and 9news.com.au

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